It’s feels like so long ago since my last post. Ugh!
Anyway — the color study exercise is still fresh in my mind. It actually taught me more than just about how color relates to emotion. It taught me what shades and tones I didn’t really care for. It showed me how the differences within an individual color danced playfully with each other and how sometimes those variations did not play well together at all. Also, how textures read differently depending on the interplay of the shades. The mini monochromatic study was fun yet frustrating and tedious at times but well worth every minute.
The reason I force myself into various art exercises every so often is because little surprise lessons spring up every time.
I will be moving on to making some pieces from the serendipitous fabric I created by scrunching random paint splashes.
It’s a new year! I have a new company name! It is now eclectic cloth. I have been honing my art brand and it has graduated into a more fun design style. Textile collage displaying various themes from love and spirit to pure whimsy fits my all over the place way of creating much better than my previous scheme.
Procrastination will take a back seat this year. Well, that’s the intention anyway. I also intend to make posting on my little art journal blog a priority.
I am ending my posting hiatus by continuing my exploration into color and featuring some monochromatic studies in the form of various textile pieces.
This first piece is a study in white. White symbolizes purity and innocence and is considered a cool color due to it’s relation to snow and ice. There are many shades of white. Snow, pearl, cream, antique white just to name a few. Even beige is actually a shade of white. I have attempted to display some of the soft and beautiful versatility of white in the art quilt below.
I named the quilt wish in whitebecause it’s a big bowl of ice cream and I don’t eat much dairy anymore — I miss vanilla ice cream so much. It is 11 1/2″ x 13 1/2.”
Continuing to adhere to the project list — three more abstract notions in the form of mini art quilts:
8) “broken record“
Sheet music scraps
Lumiere – pearl turquiose
Golden Fluid Acrylic – ultramarine blue
Golden Gel Medium (Matte)
Cotton embroidery thread – turquoise
Cotton thread – variegated
Blue Painter’s Tape
Clay shaping tool
Water in a spray bottle
I taped the CD (folded the tape unto itself and put it under the CD) to the top of a glass sheet to create a mask. I spread out the paint on the sheet and placed the muslin on top of it to creat a monoprint. After carefully removing the fabric, I then removed the CD, painted it and laid it on top of the circular white spaces that the mask left on the muslin; cut out and glued the music scraps to the painted CD spaces using the matte medium as glue. Some water accidently spilled on the quilt top and made a tiny discoloration on the dark blue background so I decided to spray on a little more water. Hence the batik look of the background. The quilt top was placed onto the felt batting. I made holes in the mica using a very sharp, pointy clay tool to allow for stitching. I hand stitched the mica onto the quilt top and then carefully machine stitched the quilt top and batting to the cotton fabric backing.
Tips: Mica is fragile. Be sure and use a light hand when working with it. It’s a great material for protecting delicate papers.
9) “blowsy scraps“
Painted canvas scraps
Cotton black and white fabric
505 Spray and Fix (fabric adhesive)
Acrylic paint – yellow, black
Polyester thread – copper
I prepped the muslin for dyeing with vinegar and water, boiled the burdock root in water and drained it to get a deep rich coloring. I dipped the muslin and simmered it for over an hour. Well, the results were less than stellar. It was much too pale. No more burdock for me. I should have used blueberries or red cabbage. To reach some type of acceptable hue, I put the fabric back in the pot, added some coffee grounds and let it sit on a very low simmer for an hour. After rinsing, a nice soft beige was achieved. The over-dye job was more successful. I put some diluted yellow paint in a plastic container and scrunched the black and white fabric down in it. I made sure to leave a little of the original fabric undipped to show the contrast. I flicked some black dots on top of the already painted canvas scraps using a toothbrush, to meet the “painting” requirement on the list. Placed the pieces of over-dyed fabric with it’s 505 sprayed, haphazardly arranged canvas scraps on the muslin background. Added some free motion stitching and assembled the quilt.
Tips: Use perseverance when dyeing with natural materials. It can be difficult to get a rich, vibrant coloring. Also, be scrap happy. Save small scraps. They come in handy for a myriad of projects.
10) “floating lotus“
Golden Fabric Medium
Golden Fluid Acrylic – phthalo blue (green shade)
Stencils – lotus, abstract design
Polyester thread – copper
Piece of cut foam sponge
The fluid acrylic was mixed with a small dollop fabric paint medium then spread on top of the muslin leaving some of the fabric’s original white color visible. After it dried I stenciled on the lotus and abstract shapes using paintstiks a stencil brush. I had previously painted a scrap of fusible web and cut out some abstract shapes. The shapes were ironed onto the quilt top, the top was added to the felt and backing.
Tips: Don’t let unusual color combos scare you. I discovered that I love the uniqueness of blues and dark brown together. Regarding fusible web, if you decide to iron on painted fusible, don’t leave the iron sitting on it too long. I did that and it darkened the paint and took away the original glittery look of the paint.
“Collage is the assemblage of different forms creating a new whole.”
Collage has such an enchanting and vast history so I will only nibble at very limited edges in this post.
It started out as paper art in the Orient, way, way back in the day–the 12th century. Paper was held as sacred. Poems were embellished with flowers and other motifs from nature. Decorated text. Although it has evolved immensely, and is now a practice used by artists all over the world, it has held on to it’s roots. Collagists still decorate text and anything else that comes to mind. Not until the twentieth century was it considered a valid fine art method. Artists bringing painting, sculpture and assemblage to the collage party weren’t taken seriously at first but persistence has it’s rewards. The freedom of expression and spontaneity that collage offers revolutionized the way folks looks at art. Artists began collecting and using all kinds of stuff in their pieces. The limitlessness was tempting and many creatives gave in. There were of course many artists who were opposed to the abandonment of conformity but many were thrilled by it and their art displays a special passion. If I had lived back then I would have been one of the giddy ones. Anything can be used in a collage and that thought brings me sheer joy.
Fabric is my primary medium of choice. Occasionally adding found objects, paper, paint and anything else the piece calls for takes me on interesting adventures. One of the reasons for starting this blog is so that I will hopefully be forced into art discipline. Either I make stuff or my blog withers away. Blog withering is not acceptable. Experimentation and getting away from comfort zones leads to learning, growing and ultimately meeting goals. I intend to do much experimenting.